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Showing posts with label couture fashion. Show all posts
Showing posts with label couture fashion. Show all posts

A Lavish Look at Christian Dior's Legacy and The Art That Inspired It.




above: Dior's Suzurka-San Coat, 2007 and Hiroshige's The Great Wave off the Coast of Kanagawa, 1848

Moscow's Pushkin Museum presents Inspiration Dior, a comprehensive exhibit of Christian Dior's breathtaking fashions and the art that played a role in inspiring them.


above:Dior's "Linda Vojtova" inspired by Goya, 2007-08

"The best way to describe this exhibit is with Christian Dior's own words: 'The history of Parisian fashion is not a vanity fair, but a representation of culture,'" said veteran Pushkin Museum director Irina Antonova.


above: Dior's Forcement short trench coat, 1991 and drawing of Dior's Bar Suit by Christian Berard, 1947

The exhibit features the jewelry, the perfumes and of course, the pieces of Dior as well as many paintings that influenced the designs and styles. Nine rooms in the museum showcase Dior fashions from 18th century-influenced designs to images of today's celebrities donning his gowns. The exhibit has been grouped into the following categories; New Look, Lines and Bodies, Dior and the Eighteenth century, Bell Epoque, Dior Balls, The Gardens of Dior, Dior: Gold and Gold, Dior Around The World, Fine Jewellery, The Atelier or Art of Haute Couture, The Magic of Dior Perfumes and Stars in Dior .


above: Dior's "Koh-I-Noor Dress", 1996-97 and John Singer Sargent's La Camencita, 1900

above: Dior's Black and White silk faille coat, 2002 and Varvara Fiodorovna Stepanova's Casual Dress design, 1923-24

Paintings by Klimt, Renoir, Sargent, van Gogh and others that nourished Dior's inspiration are on loan from the Louvre, Musee d'Orsay, the Versaille Museum and Moscow's Tretyakov gallery.

Many of the Dior dresses on exhibit:













Some of the accompanying pieces of art:







Text about the exhibit from the museum:
February 12th, 1947: Christian Dior presents his first collection at Avenue Montaigne. The revolution is underway and the New Look is born. With it, The House of Dior enters the world of legend.

Unknown until that moment, the genius designer who revered the French way of life entered a triumphant decade, providing women with regal bearing and a sublime look. Skirts were longer, shoulders were softened and waists were cinched. A Dior flower-women blossomed in the post-war era, and outrageously splendid, was soon to conquer the world with infinite grace.

New and highly innovative, the exhibition demonstrates how inspiration has nourished the heart of Dior for decades. This amazing journey guides the visitor through the Dior artistic creative sources of fashion and its links to history, nature, painting, sculpture, drawing, photography and film. It reveals now an idea, a feeling, an era, a garden, a perception or even a smell can instill an idea in the heart and mind, giving rise to a unique creation.

In this major exhibition, the Pushkin Museum showcases Dior magic and luxury whilst emphasizing the outstanding House’s links with art.

The key themes of the Dior legend – past and present on a grand scale in original fashion, set against unique works of art. It is a journey of corresponding elements and magical synergies, where the New Look is echoed in works by Picasso, Modigliani, Renoir, Cezanne or even Gauguin. Nudes by Vanessa Beecroft, Maurizio Cattelan and Orlan emphasise the gloriously modern lines of the female body, accentuated by Christian Dior.

This waltz through time enchants the visitor with lush gardens and recollections of the 18th century and the Belle Époque. Marie-Antoinette meets Jeff Koons, Bonnard’s landscapes celebrate Dior’s flower-women and the Egyptian goddesses from spring summer 2004 establish a radiant, golden destiny.

The Dior grand balls are also celebrated in all their glory in an enchanted setting where Ingres’ aristocrats admire breathtaking crinolines and haute couture gowns. The visitor is then transported around the world with Dior via Goya’s Spain, Matisse’s heady orient and of course, Russia and Asia.

The world of Dior beauty also provides the opportunity to view René Gruau’s strikingly modern illustrations and allows the Russian plastic artist, Olga Kisseleva to create an installation exploring the sensual and sensory universe of Dior perfumes.

A mirror effect of deliberate similarities lays down the framework of this exceptional exhibition, in which the quest for ideal beauty creates the link between Christian Dior, genius couturier, and the impressive and unexpected gallery of great masters.

As monsieur Dior said: “Finally everything that has been part of my life – whether I wanted it or not – has expressed itself in my dresses”.


"Inspiration Dior" runs until July 24 at The Pushkin Museum of Fine Arts.

UPDATED AGAIN*: Kate Goes With Sarah Burton For Alexander McQueen With Cartier Tiara & Matching Earrings.




*UPDATED PICS now include the cakes, the reception dresses, the ugliest hat and more.

The dress was by Sarah Burton for Alexander McQueen. She donned the Cartier “halo” tiara, which was made in 1936 and given to the Queen as an 18th birthday present. And she's got the wave down cold.



Her earrings were custom-made by Robinson Pelham to match her tiara and were a present from her parents. Kate's wedding ring, which seemed to have given William a bit of difficulty in the slipping on, is a band of Welsh gold by Wartski.

The Cartier "halo" tiara:

As previously worn by the monarchy members before her:


The earrings made to match the tiara by Robinson Pelham:


No doubt, Kate Middleton, now being referred to as "Catherine," looked every bit like Royalty as she walked down the aisle.





People keep comparing Kate's dress to that of Princess Grace's, but they really were quite different except for the lace long sleeves:







above: Her bouquet consisted of myrtle, lily-of-the-valley, sweet William and hyacinth.















And, of course, the kiss:



Ladies and gentlemen, presenting the Duke and Duchess of Cambridge:

And they drove off in an Aston Martin:

The Cake, made by Leicestershire-based cake designer Fiona Cairns :


the chocolate McVitrine's cake for the recption:


The Sarah Burton for Alexader McQueen reception dress for Kate:

and sister Pippa's reception dress:


I would be remiss if I did not include a photo of the most talked about hat (it even has it's own haters facebook page) at the event, worn by Beatrice:

images courtesy of Getty, The BBC, The AP, The PA and The British Monarchy