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Showing posts with label art and fashion collaboration. Show all posts
Showing posts with label art and fashion collaboration. Show all posts

A Lavish Look at Christian Dior's Legacy and The Art That Inspired It.




above: Dior's Suzurka-San Coat, 2007 and Hiroshige's The Great Wave off the Coast of Kanagawa, 1848

Moscow's Pushkin Museum presents Inspiration Dior, a comprehensive exhibit of Christian Dior's breathtaking fashions and the art that played a role in inspiring them.


above:Dior's "Linda Vojtova" inspired by Goya, 2007-08

"The best way to describe this exhibit is with Christian Dior's own words: 'The history of Parisian fashion is not a vanity fair, but a representation of culture,'" said veteran Pushkin Museum director Irina Antonova.


above: Dior's Forcement short trench coat, 1991 and drawing of Dior's Bar Suit by Christian Berard, 1947

The exhibit features the jewelry, the perfumes and of course, the pieces of Dior as well as many paintings that influenced the designs and styles. Nine rooms in the museum showcase Dior fashions from 18th century-influenced designs to images of today's celebrities donning his gowns. The exhibit has been grouped into the following categories; New Look, Lines and Bodies, Dior and the Eighteenth century, Bell Epoque, Dior Balls, The Gardens of Dior, Dior: Gold and Gold, Dior Around The World, Fine Jewellery, The Atelier or Art of Haute Couture, The Magic of Dior Perfumes and Stars in Dior .


above: Dior's "Koh-I-Noor Dress", 1996-97 and John Singer Sargent's La Camencita, 1900

above: Dior's Black and White silk faille coat, 2002 and Varvara Fiodorovna Stepanova's Casual Dress design, 1923-24

Paintings by Klimt, Renoir, Sargent, van Gogh and others that nourished Dior's inspiration are on loan from the Louvre, Musee d'Orsay, the Versaille Museum and Moscow's Tretyakov gallery.

Many of the Dior dresses on exhibit:













Some of the accompanying pieces of art:







Text about the exhibit from the museum:
February 12th, 1947: Christian Dior presents his first collection at Avenue Montaigne. The revolution is underway and the New Look is born. With it, The House of Dior enters the world of legend.

Unknown until that moment, the genius designer who revered the French way of life entered a triumphant decade, providing women with regal bearing and a sublime look. Skirts were longer, shoulders were softened and waists were cinched. A Dior flower-women blossomed in the post-war era, and outrageously splendid, was soon to conquer the world with infinite grace.

New and highly innovative, the exhibition demonstrates how inspiration has nourished the heart of Dior for decades. This amazing journey guides the visitor through the Dior artistic creative sources of fashion and its links to history, nature, painting, sculpture, drawing, photography and film. It reveals now an idea, a feeling, an era, a garden, a perception or even a smell can instill an idea in the heart and mind, giving rise to a unique creation.

In this major exhibition, the Pushkin Museum showcases Dior magic and luxury whilst emphasizing the outstanding House’s links with art.

The key themes of the Dior legend – past and present on a grand scale in original fashion, set against unique works of art. It is a journey of corresponding elements and magical synergies, where the New Look is echoed in works by Picasso, Modigliani, Renoir, Cezanne or even Gauguin. Nudes by Vanessa Beecroft, Maurizio Cattelan and Orlan emphasise the gloriously modern lines of the female body, accentuated by Christian Dior.

This waltz through time enchants the visitor with lush gardens and recollections of the 18th century and the Belle Époque. Marie-Antoinette meets Jeff Koons, Bonnard’s landscapes celebrate Dior’s flower-women and the Egyptian goddesses from spring summer 2004 establish a radiant, golden destiny.

The Dior grand balls are also celebrated in all their glory in an enchanted setting where Ingres’ aristocrats admire breathtaking crinolines and haute couture gowns. The visitor is then transported around the world with Dior via Goya’s Spain, Matisse’s heady orient and of course, Russia and Asia.

The world of Dior beauty also provides the opportunity to view René Gruau’s strikingly modern illustrations and allows the Russian plastic artist, Olga Kisseleva to create an installation exploring the sensual and sensory universe of Dior perfumes.

A mirror effect of deliberate similarities lays down the framework of this exceptional exhibition, in which the quest for ideal beauty creates the link between Christian Dior, genius couturier, and the impressive and unexpected gallery of great masters.

As monsieur Dior said: “Finally everything that has been part of my life – whether I wanted it or not – has expressed itself in my dresses”.


"Inspiration Dior" runs until July 24 at The Pushkin Museum of Fine Arts.

Yes, These Historical Fashions & Haute Couture Are Made Of Hand-Painted Paper.




Let me start by saying... what you are looking at is made of paper! Now, that I've got your attention, prepare to be amazed at the work of Isabelle de Borchgrave.




From the Medicis to Marie Antoinette to Jackie Kennedy's wedding dress, Isabelle de Borchgrave has made paper emulate the most incredible fabrics and fashions from all over the world. One has to look twice to realize that the formal gowns, ornate jackets - even shoes - on mannequins are not actually made from velvet, silks and satins.





Sumptuous and detailed, it's hard to believe they are crafted of hand-painted rag paper. Whether she is recreating an outfit from 16th century paintings or creating one for a modern day ad campaign, the craftsmanship and detail in everything from the shoes to the hairpieces will take your breath away.






Her works include paper recreations of Renaissance costumes of the Medici family, gowns worn by Elizabeth I and Marie-Antoinette, the fashions of Fortuny (known for their pleats) and the designs of grand couturiers Fredrick Worth, Paul Poiret, Christian Dior and Coco Chanel.

Some examples of her Medici fashions:






Gowns worn by legendary European 15th and 16th century historical figures including Elizabeth I and Marie-Antoinette:







Fortuny Fashions:




Jackie Kennedy's Wedding Dress:


She created a series of dresses realized with suede wall coverings for the Antelope Collection by Arte International in 2010:



For her present exhibit, Pulp Fashions, at San Francisco's Legion of Honor, she chose four famous paintings from their collection and recreated the fashions within them. Below are two examples:


The Belgian artist is a painter by training, but textile and costume are her muses. Working in collaboration with leading costume historians and young fashion designers, de Borchgrave crafts a world of splendor from the simplest rag paper.




Painting and manipulating the paper, she forms trompe l’oeil masterpieces of elaborate dresses inspired by rich depictions in early European painting or by iconic costumes in museum collections around the world.



The Paper Dress of Eleonora de Toledo, 1522-1562 (above) was inspired by a portrait of Bronzino (Gallery of Uffizi, Firenze) and began with a sketch, followed with the hand-painting of the fabric in her studio to yield the final masterpiece:




images and info courtesy of Isabelle de Borchgrave and The Legion of Honor

Exhibiting Now
At present, The Legion of Honor in san Francisco is the first American museum to dedicate an entire exhibition to the work of Isabelle de Borchgrave, although her creations have been widely displayed in Europe.



Pulp Fashion draws on several themes and presents quintessential examples in the history of costume—from Renaissance finery of the Medici family and gowns worn by Elizabeth I and Marie-Antoinette to the creations of the grand couturiers Frederick Worth, Paul Poiret, Christian Dior, and Coco Chanel. Special attention is given to the creations and studio of Mariano Fortuny, the eccentric early-20th-century artist who is both a major source of inspiration to de Borchgrave and a kindred spirit.

Pulp Fashion: The Art of Isabelle de Borchgrave, February 5, 2011 - June 5, 2011


A special thanks to my very hip parents who told me about Isabelle de Borchgrave and her work.